The NuVista 600 combines nuvistor technology with Surface Mount Design and CAD/CAM PCB concepts. Essentially the NuVista 600 is the same as the legendary NuVista 800 but with less elaborate metalwork and 'only' 200WPC. Like it's big brother the NuVista 600 has extraordinary technical and sonic performance.
The Nu-Vista 800 measures like a dream but, more importantly, it sounds incredible. It is silky smooth with enormous transients and an effortless feel that is at once relaxing and involving. Of special note how the Nu-Vista 800 projects images between the loudspeakers so that you can almost touch them.
At Musical Fidelity we think of the M6si as being a destination product. The M6si offers such excellent performance, facilities and power that unless you are seeking the most exotic high-end sound quality you would never need another amplifier. We believe it’s that good.
The M6500i is a very high performance, high powered super integrated amplifier. Twenty-five years ago, the Musical Fidelity A1000 started the complete super integrated amplifier genre. Over the last two and half decades we have continued to refine our original concept.
The M5si is a real high end amplifier. At 150wpc, with high current delivery, it will drive virtually any loudspeaker easily. Internally the M5si is configured as two independent monoblocs with a separate preamp, but all mounted on one pcb. Its technical performance is about equal to the M6si.
The M3si integrated amplifier produces high quality sound, has an extensive range of useful inputs and offers high reliability, compact size and a fair price. With its strong 85 watts per channel, the M3si will drive a huge variety of appropriate loudspeakers. It has inputs for phono (MM), 4 line inputs and USB ‘B’ up to 24bit 96 kHz.
The M8 Pre-amp has very high input overload margins. This means that it has a completely stress free sound. The outputs are very low impedance and high current so that it can drive virtually any power amp in existence through any length cable (balanced or single ended).
The M8-700m has extremely low distortion, typically 0.001% at 1 kHz. At 20 kHz distortion is still below 0.005%. Distortion at 50 kHz (a ridiculous and unreasonable measurement, but revealing of the total amplifier performance nonetheless) is 0.02%. At 100 kHz, it is about 0.06%. These extraordinary measurements, and the extremely low high-frequency distortion, are highly significant sonically.
The M8-700 has received outstanding reviews and an enthusiastic reception from knowledgeable audiophiles. The combination of high power and cutting edge technical performance has proved a compelling combination. However some customers do not have the space for two large monoblocs and do not necessarily need that much power. For them we have designed the M8-500s. Pairing it with the matching M8 Preamp gives an amplification system fit of the highest levels of reproduction.
The Nu-Vista CD is the perfect match for the highly acclaimed Nu-Vista 800 integrated. We have designed it with exactly the same sonic parameters as the Nu-Vista 800. Being a Musical Fidelity product it has impeccable technical performance. Very low distortion, very low noise, excellent linearity and superlative phase response.
The M6scd is a superb performer. It uses a 32 bit DAC with 192 kHz up-sampling and delivers outstanding technical and musical performance. It also has a range of digital inputs: 2 x coax, 2 x optical and asynchronous USB. This makes it particularly useful for set top boxes and/or TV sound improvement.
The M3scd has been designed to give outstanding CD reproduction and to be a digital hub. In addition to CD it has 3 digital inputs: coax, optical and asynchronous USB. This makes it particularly useful for set top boxes and/or TV sound improvement. The technical performance is excellent; it has very low distortion, extremely low jitter, excellent signal-to-noise ratio, extremely flat frequency response, exemplary linearity and excellent channel separation.
The MX-DAC is a tremendous performer. It has ultra low distortion, very wide bandwidth and low noise. The technical performance of the MX-DAC is on a par with any other DAC at any price. Jitter is about 12pps, s/n ratio is -116dB (‘A’ weighted), linearity is +0.2dB at -116dB, stereo separation is -104dB at 1kHz, frequency response is ruler flat and distortion is 0.00025% at 1kHz and 0.0003% at 20kHz. These technical figures are state-of-the-art and show that our implementation is almost perfect, to ensure completely neutral and accurate digital-to-analogue conversion of any digital input.
The V90-DAC has a balance of measurements: distortion, noise, linearity, bandwidth, and phase, which in their totality are not significantly bettered by any product at any price. If you hunt around, you may find the occasional DAC that claims to have slightly better performance than the V90-DAC in one area or another, but in totality will not exceed it. There are plenty of competitors shouting about their new, wonderful version of the emperor’s new clothes, but they offer little or nothing in real performance to back up their claims. Just lots of talk about subjective this or that, but all of it is just a matter of opinion.
The MX-VYNL is a fully balanced, very high performance phono stage, able to operate with virtually any moving coil or moving magnet cartridge. With both traditional RCA inputs and our unique XLR fully balanced connection the MX-VYNL can be connected to 2 turntables simultaneously.
The LX-LPS is a very high performance MM/MC phono stage with TWO turntable inputs. Each input has an extra pair of input sockets so you can achieve exact impedance matching. The circuitry is derived from the MX-VYNL so it is unsurprising that the technical performance is outstanding.
The V90-LPS is a modestly priced, very high performance MM/MC phono stage with superb technical performance.The V90-LPS has extremely accurate RIAA correction and that extends up to 80 kHz and beyond. That may sound extreme, but there is a good deal of information above 20 kHz that needs correction. If it isn’t corrected, it will show itself as ringing and overshoot.
The M8xi is a separate preamp with two monobloc power amps sharing a common chassis. Each has its own heat sink and separate transforrner. Genuinely dual mono. The preamp has its own separate power supply and is mounted close to the input sockets. Consequently, PCB tracks are very short. This elegant idea ensures that both channels signals are ultra low impedance the instant they get into the amplifier. This is a significant detail. Each channel has twelve big bipolar transistors - 200 amps peak to peak is easily available. The metalwork is high quality. The front panel is a custom made fine line extrusion of milspec aluminium. The custom made heat sinks have outstanding dissipation characteristic and finish. The M8xi construction has the feeling of solidity and quality.
he M8xi is a separate preamp with two monobloc power amps sharing a common chassis. Each has its own heat sink and separate transforrner. Genuinely dual mono. The preamp has its own separate power supply and is mounted close to the input sockets. Consequently, PCB tracks are very short. This elegant idea ensures that both channels signals are ultra low impedance the instant they get into the amplifier. This is a significant detail. Each channel has twelve big bipolar transistors - 200 amps peak to peak is easily available. The metalwork is high quality. The front panel is a custom made fine line extrusion of milspec aluminium. The custom made heat sinks have outstanding dissipation characteristic and finish. The M8xi construction has the feeling of solidity and quality.
The M6s PRE is effectively a preamp without limits. Its wide range of inputs, coupled with superlative performance, mean it can form the heart of almost any system, regardless of price. It's a pure Class A design capable of driving any power amplifier, over any length of cable. It itself is easy to feed, making it even more flexible.
Praised by Hi-Fi+ as "a true world-class product", the M6s PRX is a 230 Watts-per-channel power amplifier with a unique Choke Regulated Power Supply (CRPS). The M6s PRX shares the same basic circuit topology as its premium Titan or AMS50 siblings, but the CRPS gives it a technical twist of its own, enabling performance levels that eclipse its rivals. Its awesome combination of precision and power mean the M6s PRX can drive even demanding speakers with complete neutrality.
The M2si integrated amplifier takes our peerless premium-amp experience and applies it to a more affordable price point. It boasts trickle-down technology from our mighty and legendary Titan flagship, plus other high-end touches such as solid metal controls. The M2si delivers 76 watts per channel into 8 ohms and 137 watts into 4 ohms. This means the M2si will drive a wide range of speakers, even power-hungry models.
Like the matching M2si integrated amplifier, the M2scd is designed as serious hi-fi available at a modest price. From the fine fit and finish of its metal casework to the unique technology sitting inside, the M2scd exceeds expectations. The M2scd builds on our years of engineering expertise, uniquely featuring both a mains choke filter and a high-tech digitalstream noise filter. Such innovations enable the player to deliver technical performance; it boasts low distortion and a virtually flat frequency response, plus minimal noise and jitter.
he V90-BLU is a sophisticated Bluetooth receiver ideal for streaming music from smartphones, tablets, MACs and PCs right to your favourite Hi-Fi system. It has useful digital and analogue bypass facilities and includes an on-board DAC for simple connection to a host of audio equipment.
The M6 SDAC is a very high-quality 32/768kHz upsampling/reclocking DAC. It has 7 inputs: 3 x Coax, 3 x Optical and 1 x USB. It will accept all data rates up to 32bit 768kHz and DSD 64/128. All inputs are upsampled to 32/768.
The Nu-Vista Vinyl was a labour of love for MF. We love phono, we adore tubes, we are passionate about Nuvistors. We relished, revelled and basked in the pure joy of designing a product of our dreams.
The LX2-LPS is Musical Fidelity's new baby. A high quality flexible MM/MC phono stage with adjustable impedance and excellent technical performance. Housed in beautifully detailed and handsome metalwork it is the epitome of understated high class elegance.
The Encore Connect is an audio preamplifier/source component allowing you to keep all your music in one place. It accepts almost any conceivable analog or digital audio source. It is also compatible with many network speakers, such as Sonos. There is a very clear, large, high-resolution full colour display so you can see what’s going on.
The Encore 225 is a complete audio solution allowing you to keep all your music in one place. It accepts almost any conceivable analog or digital audio source. It is also compatible with many network speakers, such as Sonos. There is a very clear, large, high resolution full colour display so you can see what’s going on.
The MX-HPA is capable of a short-term peak of 10 watts (for one cycle) and has two gain positions: 18dB (8X) and 24dB (15X). Inputs are either balanced or single-ended. The MX-HPA will automatically convert single-ended inputs to balanced. The MX-HPA is genuinely fully balanced from beginning to end.
The V90-BHA features some of Musical Fidelity’s finest electronics, in a tiny package that looks great, with a front panel and cover of custom-made extrusions, finished in fine-texture moonstone.
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